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is not the time to be alive? (Posters, Chapter 1, perhaps)

Maybe it's time to celebrate.
Yes celebrate. Partying in protest, I mean. Take to the streets is to make the cabin, bring music, words and colors. No slogans, no cry of rage. Only joy and charge, such charge.
all in defense of the ideas and creativity, musicians, writers, painters, potters, creative and above all observers and 'passionate, urgently need to show how the hell are important in real life every day.
a real event where, for once, do not spend their time in / on the palace, but in favor of those around.
Who believes? I do not so much.

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CONSUMPTION vs GREEN. Chapter 1

from below, ie from the "culture industry" will begin to see clearly what the ideas that shape the future economy. Yes, because we are so low that you can clearly see the foundations (ideas and society-minded) on the economy, "inexorable" supports. Inexorably because when does not endorse, collapses abruptly causing the famous crisis. But do not tell the economists and the director of marketing that we down here, simple painters, writers, musicians, observers, we do not do a shit all day, we maleauguratamente express an opinion statement; not tell him, please.
But come to the point.
Roads economic-social that have opened in Europe are basically two: the consumer and the Green .
policy cosumistica and fundamentally the economic system in which we live: as a reference we have growth, GDP, and thus the need to consume, the more you consume more than it's better. This means then industrialization and wealth (the do-gooders and do not admit that a good computer, a good TV or a good stereo make us comfortable), but higher fuel consumption and more cement. Green
policy provides instead an economy more closely linked to local resources both human and environmental / energy with the advantage that there is less pollution, greater development of crafts, but also less industrialization and less wealth. These two
visions of the political parties should be drawn: First, the Conservatives argue that an economy based on consumption and develop relationships and connections with the New Economy, on the other hand the Greens argue that a policy supporting the territorial much ' renewable energy and the development of small and medium enterprises. As a concrete example to understand the differences, we can take nuclear power plants: if you point to an industrial policy that nuclear energy is fundamental because the growth of large industries is bound to a high energy consumption, on the contrary with the renewable energy we can focus on energy saving and hence on the energy of the territory. Another example may be the policy Foreign commergiale: consumption must inevitably focus on new markets, China, Russia and India, while Green has a policy concentrasmi mostly made on the export of local products. Obviously a system does not totally rule out the other.
At this point we should analyze the current political parties and how they are viewing to the consumer or the green.
But I prefer to finish here.

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The Christmas Truce. As the risk of ending the Great War.


In the early months of World War I, during the Christmas of 1914, something incredible happened: the soldiers face German, French and English emerged from the trenches and became friends. Played football, they exchanged chocolate, talk about their families and they photographed while toasted. This was not only an episode, but a real movement that involved two thirds of the face. Just watching the letters were discovered by the soldiers was more what was happening. There was thus an Alliance of Intent between the power of the top three nations opposing the soldiers were removed immediately to resume the war (the Act provided for the shooting but that became intractable given the number of soldiers involved).
World War I in danger of ending because of the friendship between soldiers. It 's inevitable to wonder how history would change if a world war ended so quickly and because of' Friendship between Soldiers'. E 'equally inevitable wondering why this Christmas Truce is not yet officially entered the history but it is only for some niche topic history buff.

is interesting how these truces were born. It was the German soldiers (who are dressed only in our minds by Nazi soldiers) to make the first move, turning especially to British soldiers. Many Germans at that time had emigrated to England to live and work closely with the UK population. They were therefore immune from the long racist campaign developed by the German Government against the British population. When they were called home to fight the bad English is found to kill those they considered bad neighbors and inept. Many English German immigrants knew in their homeland and thus responded positively to the messages of the enemy trenches. This shows that the direct knowledge and unfiltered opinion of some, is the true antidote to racism. There are few documents about the Christmas Truce. They are very important although they tend to limit it to an episode from the novel and not a real movement historically significant. "The little peace in the Great War" is a book by Michael Jurgs. The most famous French film "Joyeux Noel" released in 2005 by Christian Carion. The film includes some incidents which occurred in different parts of the face in one episode. The parties which does not correspond to real facts are the least successful: for example the figure women did not exist in reality and provoke dialogue was, as told in the film, an opera singer at the front but as a guest and not as a soldier. The vicinity of the trenches allowed the French soldiers heard the singing of the German tenor (famous at the time) and the French Bear, who loves classical music, he recognized the voice of the tenor and clap along with all the troops, the German soft left the trenches asking who had applauded, bringing with it a Christmas tree to be light, the French went too Keep the trench to compliment the content and from there came the truce on that front. The film is shown another version, certainly interesting, but not more than this original.

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Diter


Archive is a work. Drawing is a work. Write, cut, paste, is a work. Play the piano without being able to play the piano, is a work. Painting is work. Movie is. Build machines that are useless and an opera.
short, everything that belongs to life, indeed, that life is work.
Diter Roth is the greatest artist of art as a pimp "substance" of life (?). The work life were the same. Or without being staged.

PHOTO: Rainer in a work of Rainer.

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see another city and fans

the competition is Felicity Project ended with a beautiful exhibition in Venice is a beautiful catalog that you can download from aggratis home page of the site as well as graphic works written between the contributions which the barlafuso

posted weeks ago for a really curious on September Flickr

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Roth Gallery in 2015. From Furniture to Services. Cy Twombly exhibition

But how is that the need for Art High and low demand for Art? Why
artistic events, such as the Festival of the week and Philosophy of Photography affolatissimi are deserted and the Art Galleries? About one hundred people
frequantano Artistic events just a couple turn their interest in the request / purchase of art. Why?
Well, a good percentage can not be taken into consideration are the I-we-go-because-we-go-all-and-not-we-have-nothing-by-doing. The rest however has other good reasons to go to evneti and probably altrettate good reasons not to go in the tunnels.
Now I should start with an analysis of the context, the type of art that is in the events and what's but in the galleries, in short a cabal long and heavy. To be honest: I had even written then when I reread two chestnuts I have come so much and I prefer to spare and there. Thank goodness.
Strasintetizzerò the problem this way: galleries, you will probably turn to the request and does not need art. Basically dealing with (and worry, since the time) than those who already are turning to art, but does not "move" towards the need for a wider audience has art.
Strasintetizzerò solution so now the tunnels are concerned almost exclusively to sell furniture designer (forgive the vulgar way I express myself, but I want to exaggerate / colocation a caricature of the 'object' art) and to reach a wider audience should also take care of services that art can do: examine a historical theme, tackling a topical, be embedded and edit an urban space or housing, developing creativity within the company and everything in which art can have a vital role.
Finally he asked me: but instead of slaughtered for the existing pie why not cook up a new pie?

THE END

Any reference to actual facts is purely coincidental.

The use of words such as "furniture" or "signature" does not undermine the importance of all those who produce works of art of great importance and therefore play a role in social and cultural role.


The author of this post he continued to live in san polo beach for a long time. The realzione with Unicredit remained a mystery.

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the Tate you're facing enormous works of Cy Twombly;
is a good time, really a great time.

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CGIL

the manifestation of the CGIL play the MCR. I am in Rome and going to see them.
When I get there this new secretary who shoots from the microphone into the crowd anger: a long list of injustices, tragedies, disasters, caused by evil men who want to destroy good that the people must unite against the bad men. He preaches from the pulpit in medieval style clerical.
The working people, much more intelligent and hardened his secretary, just listen, it approffita to talk about the nasty business with those close to her, and occasionally some applause square routine. Only a fraction of infected and neurotically clericosegretaria and barks.
But eventually the matter changes: the secretary goes to the applause conventional and passes to the concert. The people awake. He turns to the stage and begins to asoltare. Then to move, then applauding, and then to jump and dance. Not all, but almost. Beautiful, yes, very very nice.
And then I wonder: where is The protest in anger or celebration? Where is the involvement, in anger or in music? Where is the power: in anger or in the up?

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vs ITALY ITALY, GREECE wins. Reggiani

The controller is a big man by big strong Neapolitan accent. The two boys have
pocopiù of twenty years. Her small, pretty, biondatinta. He is tall, with a beard and a face like a nice guy. Lungu speak a strange, perhaps it is greek.
The controller shake. Muttering something in Italian accent. The two boys stare at him with eyes wide open. They do not understand. The controller continues to grumble. The boys try in English. The situation is easy to understand: they have not stamped the ticket and if that have both tried probably I stumbled upon the most frequent case: the machine that says "out", unreadable even for an Italian. The controller with high tone of voice says, are 50 €. The Greeks are trying to sboffonchiare something in English. 50 €, 50 €, 50 €, continues to repeat the big man.
Look, I attack, it will be doing serious? Two foreign students feel let percortesia.
But do not worry you, "replied the controller and then says another ..... but how far the revolt against the controller had already broken out. Included: the nearby seat of the boys, the seat of my neighbors, those in the front seats and rear-seat passengers. That is, all those present around there.
The controller, who was not a guy by Nobel, he began to fidget and clumsily made the biggest mistake that a cotrollore can do on a smelly and dysfunctional regional train late: bring up the HONESTY '! I do not remember what he said the commuter with the Sole24; avoided insults and to raise the tone too, but the hardness and the decision not miss. That the controller has not been taken advantage of a train stop at the station and fleeing. Yes it is rebuilt after a while I live 'dismissing the problem with and I thought the boys were not foreigners but telling lies.
The Greeks have been removed to Parma spreading smiles and thanx to those foreigners who sit on the train from Milan to shabby bologna. The conclusion
But it is the subject sitting next to me. Un'ometto small, olive-skinned and smiling. With strong emphasis Calabrian me (referring to the controller of course): and no, unfortunately there is nothing to do, that there is a Neapolitan.

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barlafusi DiNozzo

to start writing bisognaverci abuts at least a glimpse of history if not better not get abuts divoler write, and this is a great precept (and this is a great title)

lose time, you're very good you to lose time, yelling one of my ecs bitch, give me a hand to Wipe cinciurlare home instead of with the keyboard you're good to faruncazzo I tell you I know you well to write another writer of mieicoglioni!

happened so whenever I sit at my computer right collindice ready sultasto the troiaccia, then I would say now perlerime staizitta slandrona bad! gliaffaracci think your peace! then always ended in uncrescendo diraffiche dinsulti divicendevoli fuck, EFIN Ilsole also thought that mipassava davervoglia resign ascribe the bagasciona!

do not know why I married her, the whore of my ecs, me I am always asked each of santogiorno I miss our cohabitation cohabitation being more appropriate to use the opposite conmorenza misipassi ilneologismo dapronunciarsi bad but perfect in describing ilsenso dimorte looming in our lives growing dicoppia I missed life I missed dicoppia

cosacazzo Misar past nellatesta stupid Ildi DiNozzo adio before joining in the sacred the bond of marriage until death do not visepari vispari visparo yes visparo tuttimorti vivoglio see Ildi DiNozzo here nelcilestrino dibreanza the sky deux machina ecs bicinquantadue cagar out mustard gas napalm gasnervino sullapiccola church suitestimoni suiparenti close bestowed suglinvitati sbafoni sugliamici cock sulpretume saved afesta congratulations eris rice baciobaciobacio happiness for the married couple that wishes wishes auguuuuuuhhhhh ilfungo vipeli lepidermide atomic apoc apoc hypocritical bastards come on worms to pasture to pasture to pasture worms worms

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for example. Missing =

Reggiani for example is a bad example of how you administer the culture and society in a municipality.
Just pull off the mask Fichissima Abbot-involved-the-association-land, to see how perfect this is found to rise off a big responsibility: research, organization and creation of cultural and social events .
Better to wait for someone to live rather than trying to face and find local resources. Best to limit its role to the approval and accounting office, rather than build, organize and communicate an event.
But it's too late: the Bandon has already been allocated and financiers. Needless to grumble. It now remains only the last step: leaving home, thanks to all those leaders who are now BANDONE a waste of hundreds of thousands of euro.

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thirties.

The problem is that I am not to be lost but a little 'all my generation. A huge bunch of thirtysomethings who wanders looking for a way, a solution for a minimum of stability, despite having new ideas and concrete results. A good project for a thirty year old hardly leads to the next one. Ends there. Hardly a new idea has a following. One study suggests that something new is rarely sustained. In short, the situation might be more disastrous than it looks.
But in all this remains the main fault of the thirties same: it is true we are in a dark forest because of a disastrous generation, and only dispersed, but in the jungle is packed full of thirtysomethings missing. But how can you be lost in a place packed with people? It is not unreasonable? Why did not you look in the face? Why did not rise to a minimum collaboration to find a solution?
I read an article not long ago of a young journalist from the left. not rircordo neither the name nor the context in which the bed. the leftist journalist said that the essence of the thirties genereziane has completely lost the "class consciousness". Now the workers' struggle to make their thirties or even less, do not add trouble to those we already have. But beyond the political class and the young leftist journalist said a big truth: there is no consciousness of belonging to a group, the awareness that we can share ideas with anyone, and especially the awareness that we can work together.

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City of Alto Virgil.

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strategy

Put 150 young people in a room
millions of hormones that make aaaaaaaaaaaaaaaaaaaaaaaa
and then you complain constantly
that casino fans.
But the day went well
came
a lot of people (who would not come).

cit. From the book of the principles and public policy, chapter social event. "

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example of disability

Here's an example of disability.
Take a person and ask them to draw a disability, in three seconds is gone. No problem. Full speed ahead.
Take a normal person and ask them to draw. Locked. Literally locked. "No, I do not understand." "No, I can not." 'What plan? ". And so until they are supported and accompanied.
Where is the disability? Which of the two subjects is disabled?

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Palazzo delle Esposizioni Via Condotti.

Yesterday my conscience told me that you have to veh ferarein looks a bit 'evolve: you are in Rome, made at least one museum or mostraciattola, from up, or you want to stay in your ignorance?.
Indeed, the reasoning was not a flaw. So I find myself in line at the Palazzo delle Esposizioni: exhibition on Mexico with the opportunity to go to snoop on the relationship between art and popular ritual. Beautiful really. €
Twelve and a half? € as twelve and a half? To see a € shows twelve and a half? Okay come on, no money going to the culture and therefore definitely not wasted. Pago, smadonno mentally, and within.
The first thing that I find myself in front of the fire and a megavideo ten meters by five. The second is a very cool furniture, made of cubes and drawers that held up windows. Finally, as the third and final level of observation, the beautiful sculptures illuminated with the effects of Mexican horror films.
The day before I was on Via dei Condotti, the way of tourists (and burin). The first thing we noticed were lights and video projections, the second furniture with drawers that held up windows, and finally, as the third and final level, the product they sell.
The conclusion? Obviously disastrous, but how do you spend hundreds of thousands of Euros for the construction of a show and not put even a poor bench?

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shit will rain on him every time I open my knirps

Secondome everyone that I am a CIA thieves who simeri I sivede Mimer Ipiù scoundrels mortidifame pidocchianti other gentlemen thieves who ilupèn oggipomeriggio man Bonehead lombrellino knirps Austrian brand original lavevo dadiecianni kept fully functional automatic aprichiudi bastards bastards malcagati lavevo left out nelbidone portombrelli dalsuperstudio viatortona 27 siteneva ilsalone of piccolamedia Milan where editorial writer with the cisonandato mangiacuore belbello enjoy at the output Levento poidopo locerco trevolte lombrellino knirps Austrian brand original dentrofuori ilbidone move all quegliombrellaccinesi mimonta ilrabbione gliaddetti fair enough miguardano senzabatterciglio glielinfilerei nelculo well Aloro quegliombrellaccinesi stay calm micalma writer mangiacuore chesfiga have taken their iltuo knirps divalore have chosen well nelmucchio conintenzione midice the writer states mangiacuore mica micalmo ciòvoglia disparate araffica throw unabomba farsaltare Luman tuttintera inprimis glintellettuali that frequentan iSaloni unnecessary piccolamedia of publishing sidan Laria delight! lintellighenzia progressive ah! Ah lintellighenzia libertarian! Ah lintellighenzia independent! ! Mavacagare lintellighenzia of stocazzo! ! Doccasione thieves! ! Marioli dastrapazzo! ! Delladomenica umbrella! ! I vipiscio from a considerable height above! boo. I do not know you.

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The situation is this:
art is a good part of WANT and not NEED '. The needs we can not do without
The painting must not enter the house as a piece of furniture, but it must be the house itself, influence, determine, be the atmosphere, mood, entering the lives of those who live there. Buying art does not mean decorate the house, but Sharpening Your life, as a cure, as a beneficial therapy, like a dream. Need
Art can be, and it takes a little.

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"But how come painted with such ease and do him good?"
"We did not think it was that easy"

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Dear Dear Artists and Art Critics,


Let? by the by we try?
Adiamo beyond the structures, systems, preconceptions, luxury, sonofigo, the sofa, to see if it's good or bad a bit 'of painting the people that's out there? Good or bad for them but also us. Let
?
Or not? Mal
going after we grumble with more reason.

photo: PICASSO.

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Murals yes, under no.


A rapid and simple consideration.
The mural painting is a form of more "human", more "simple", more "allaportataditutti. For some reason the cultural front of a painting or work of art "section of the people affected a lot of fear, detachment, as if it were something far away from them.
front of the mural, however, there is no problem if it is accepted as something feasible, practical, yes yes yes that can be done.
Why? Do not you know, I'm not interested.

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The demise of Pino (a)

I am one that my uncle is called Pino. For

lesattezza, Uncle called PinoTeresa, son of Teresa, lan named in order to distinguish collaltro Uncle Pino, PinoRosina, son of Rosina. But he is not here I want to tell Uncle Pino, so questincipit has to be redone.

So, be patient, Rifo.

Sunday 24 in the afternoon, light-hearted, I went to the cemetery. Son lìmpalato below the grave of my dear father and my grandmother did not know and look around.

sudden macchiappa a slight disorientation. Queer is not right? I asked the voice in the cucurbit ill. What I sense is dextran? insists the voice in the cucurbit ill.

I look around, it seems tuttaposto. Tuttaposto. Tuttaposto uncazzo! An

cut Pino!

The Pine! lan sawn!

The Pine! respect for the dead that he too was almost dead for years dry dark looming hill senzalinfa long fingers on the monument number one hundred thirty-nine Pino! skeleton of an unexpected switch to a better fireplace.

Tiè! spit happy allassente tan finally truncated Afar away chips sawdust pellet ah! enjoy! yes I enjoy! I enjoy all right, Pino! my ass! Tiè!

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Identikit cyclist Emilia.


One of the psyche more complicated to understand, after the female, is that the rider Emiliano.
You can define the traits and behaviors but the reasons remain unknown if not totally incomprehensible.
I try to draw a summary of the identikit Ciclista Emiliano hoping to cause a minimum of awareness with respect to a phenomenon unknown but very serious and widespread.

The general feature of EC is due to go to any. From the garage to the house to the garage at home he always goes to the whole. Warm? Macchi. Enjoy the scenery? Mo 'no. The'andare all 'reaches its climax when it happens to' stick ', that is when you meet another rider. No, I must correct you do not 'meet' other cyclists (there is a positive feeling in the meeting), better to say 'put themselves in the crosshairs' other cyclists. Here, in this case the rule is Solta and only one: to go to catch him. Required. Yes yes yes. Inevitable. There is no way. At all.
If you happen to be cyclists, and maybe inform some 'trained and you happen to end up in a bike over here sooner or later you will be chased by a gasp, the sound of a wounded animal, incarognito; proccupatevi is not only a cyclist Emilia fifties who clings to the wheel, elbows wide mouth gaping, face twisted , paunazzo Florescente bike and five thousand euro in the ass.

The Cyclist Emily is divided into two species:
1. CGV (large group of cyclists who come to the summit). Usually leave the city or the surrounding area to the Via Emilia and run almost exclusively with others to form a pack (or large group) of considerable size which can be up to fifty copies. Their main characteristic is that cars and remain even when these mountain bike: keep the same point of view when they are driving from the road (and therefore are in the midst of caraggiata) and compared to those traveling with them (and not next in line). Motorists are obviously totally ignorant of the first rule of cycling safety: a machine behind a few inches and the most dangerous thing there is.
The final aspect to which they differ and do not greet each other. Emilia is a rivalry between cyclists and senseless, insesatamente, widespread practice: greets us with enthusiasm, as if to encourage them. Here are CGV unhealthy. Why? Well maybe I
2. The second type of cyclist Emily is the CPS-GL (cilcisti solitary foot of hills - from around long). Usually come from the foothills of the deep or low. Are solitary or at most have one or two traveling companions. Their laps than a hundred miles away: step-by-house-house. They hate the traffic and then terribly familiar with all the side streets and areas such as GPS sperdure (even their name is derived from this CPS). The big distinction is that large group of cyclists always greet. A strange and incomprehensible occurs when they encounter other cyclists under a certain elevation behave as perfect Cyclists Emiliani, that attach themselves to all, but if the meeting takes place in very mountainous areas, for example, near a step, it changes everything They become good friends, confide in family problems and health, before saying goodbye at the end, rigraziarsi not seeing each other ever again in their lives.

As you see the poturo Catogoria Cyclists Emiliani has made quite ill. Their discomfort can be synthesized and distinguish between the two species in this way: the large group of cyclists for causing social problems while the Solitary Cyclists have social problems.

Photo: Alberto Rocchi, a typical species of the CPS-Reggiano Ciclista GL.

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Perhaps trivial for someone ....
.... perhaps important for someone else
Maybe a waste of time ...
... Perhaps no use ...
Or perhaps ... something that someone else scored.

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him.

"The Catholic came Fiorello, seven hundred and fifty students went to his conference. When presented with a book they are twenty, twenty at most. Do you realize?" I would take all the names of seven hundred fifty boys and when examining the mouth ".
This statement, in a tone of disgust that is directly from a professor of Catholic University.
You can also agree on the content of the sentence but the attitude is completely misplaced. For two reasons.
First. to be in a position of superiority is useless, indeed, does so only because they give and the best way to provoke dialogue and anti-friction. If you want to influence the culture of the boys should lead to dialogue and not repudiate it in this way.
The second is the lack of responsibility. Feeling "'s their fault" by getting all others is the best way to do nothing.
This attitude of superiority is typical of many intellectuals who like to live inside the very cool world of art, literature, philosophy, and completely out of reality.
Those who have to care about culture, not culture.

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It may happen that I have looked without his knowledge, and this too can not speak, since I decided to take in order to guide the conscience of my confusion. Very often, though (too much for my taste) have been photographed, knowing that I was. However, as soon as I feel I looked at the lens, everything changes: I begin with an attitude of "posing", I instantly Fabbrico another body, I transform myself in advance into an image. This transformation is active: I feel that photography creates or mortify my body at will. Posing in front of the goal (ie: knowing place, if only fleetingly), do not risk that much (at least for the moment). It 'obvious that my life I have been given by the photographer only metaphorically. But this dependence has an imaginary bell'essere (it is first pure imaginary): I live in fear of a subsidiary focuses: image - my picture - is about to be born: how will I be? I dislike the look of an individual or that of a <>? Ah, if only I could "succeed" on paper as on canvas of a classic picture, looking noble, looked thoughtful, intelligent, etc..! In short, if only I could be "painted" (Titian), or "designed" (by Clouet)!

ovrrei But as what you received is a delicate texture and not a moral gesture, and as the photo, except in the case of the great portrait painters, is a little thin, I do not know how to act in my skin. Decic then "let it flutter" on my lips and a smile in my eyes that I would like to "indefinite", with which, together with the quality of my nature, I'd read in the knowledge that I have enjoyed all the ceremonial photo: I took to social play, rest, I know I'm putting, I want you to know that, but this additional message must not alter in any way (true squaring of the circle) the precious essence of me: just what I am, outside of any efflige. In short, that I would like my picture, mobile, sballotata according to circumstances, times, among thousands of picture changing, always coincided with my "I" (which as you know is deep), but you ought to say is the opposite: they are "I" never coincides with my image, in fact, is the image that is heavy, motionless, stubborn (which is why the company relies on you), and "I" that is light, divided, dispersed, and that as an imp of Descartes, I'm not ever stop, I acted in my burette: ah, if the photographer could at least give me a neutral body, anatomy, a body that did not mean anything! Instead, alas, are condemned by the photo-do well-which he believes to have always an expression: my body never finds its zero degree, no one gives it to her.

[... ]

imaginary, the photo (the one I assume) is that particular moment when, in truth, is neither an object nor a subject, but rather a person who feels to become an object at that moment I live a micro-death experience (in parentheses): I become truly spectrum. The photographer knows, and he himself is afraid (if only for commercial reasons) of this death in which his action is to embalm.

Nothing would be more funny contortions of the photographers to "make" obvious ideas: make me sit in front of my brushes, they bring me out ("out" is alive "inside"), make me pose in front of a ladder - there are behind me children playing - and then noticed a bench and then immediately (that windfall!) make me sit there. It seems that the photographer, terrified, have to work so much so that the photograph is Death. But I, who are already covered, do not fight. I feel that in this bad dream I'll wake even more brutally, in fact, I do not know what society makes of my photos, what you read, but when ever I find on the product of this operation, that I see is I s ono become All-Immaginem ie Death himself, the other - the other - I divest myself make me, with ferocity, an object, I have them in hand to them, placed in a file, ready for all the subtle manipulations: one day I photographed a great photographer, on that picture I thought I read the sadness of a recent hand: for once I returned to photography myself, but some time later found that same picture on the cover of libel, a print artifice had altered the image: I was left with nothing but a face disinteriorizzato, left, and grim as the picture that the authors of the book wanted to give.

After all, what I perceive in the photo that I am done, it is Death: Death is the eidos of that photo. So oddly enough, when they are photographed, the only thing that I hate that I love, I am familiar with is the sound of the camera. For me, the organ of the Photographer's Eye (I terror strikes), but the toe that is related to the shooting lens, creep of metal plates.

Camera Lucida, Roland Barthes .

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trumpeter in the center, as in shadow

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Hunting is a sport.

hunters are totally right about two things: First, hunting is a sport, second, it must be better regulated.
Regolamentiamola then! Very simple: to be the sport that there must be a minimum of competition. What if there is competition, for example, a boxer put on the gloves and the next, a beretta shotgun? What fun is it? That challenge is? None. Just boredom. With bare hands is the true meaning of hunting. Man vs Wild Boar, so how God has made.
Once you win the man and the other wild boar.

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barlafusi poidopo came green and

I am a sugar sends Borgazzi Thursday alledicitotto slipped alsemaforo red m'è came in their spontaneous stopensiero quelmomentolì unlampo! Barlafùs Lamorte nonti scares you! I do not know you.

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barlafusi lacittà

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idea felicittà

miopapà and I was all day that we turn to see homes we have seen a lot and when asked if he likes Home miopapà always says that is beautiful and comfortable but the rent is too expensive

since he lost his steady job and found another that comes and goes miopapà says that everything is too expensive to eat dressing cinema pool money miopapà says there is not enough because a little ' miamamma gives them a bit after separation 'if he keeps them and if there remains some € buys me cards yugi oh

now we're back to grandmother's house miopapà live here until I find another apartment

the grandmother's house when I go down there is a meadow where you can play football to me like the grandmother's house is small for miopapà's inside a confusion that is not saying anything now then that would change the city because this is where we are not child-friendly parks, trees are missing paths fountains there are too many cars and smog is consumerism that has transformed all who spend money in robotic even if you do not have one, and becomes poor overnight miopapà says he's afraid of becoming poor overnight mica is a fear that goes as easy as the fear of the ghosts that come from small

when returned from tours of houses I think I'd get him a gift to a new city miopapà then I made a list of things that should be the new city the most important things are these

a job that does not run away so miopapà it needs to catch up and he is not afraid of becoming poor overnight

care of little low houses with large windows, spacious terraces for stay comfortable everyone including friends if they want to spend the night

three huge fields the first field to shoot the fireworks when you want not only to last year's second field to bring the dog kennel to run because stan always locked up in cages like prisoners on the third green with the wind always blows when there is no putting the fans to fly kites miopapà really like even if I do not understand what is in the kites but he has done so I prefer the playstation

then a lot of runs to get around by bicycle and for those who must walk as slow as a snail

there's another thing to add when I was small miopapà I read stories in bed before falling asleep after I did not read because the longer the evening arrived dead tired for work in this felicittà then we would like many places where mothers father grandparents brothers read the stories to all children who want is to listen so maybe my fellow non-learn Italian at school should be done before an experiment to see if it works, however, hear a voice telling stories that are best read alone

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Red Blister In Back Of Throat

confirmations

a trip veloceveloce , just to see if the blog is still alive